Tim Christensen – Stranger (Guitar Tab)
Capo 2
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Speed:
1.0x
Chords
_____________________
/ Secrets on Parade / key: F# minor
/____________________/ time: 6/8
The intro-figure exemplifies the picking pattern pretty well. So when chords are
notated just once in the bars, follow that pattern, unless the bar is specified.
+------------------------------------------------------------------------------+
Intro:
F#m 4x
||---------------------------||
||o-------------------------o||
||--------4-----4-----4------||
||--4h5---5-----5-----5------||
||o-7---7-7-7---7---7-7-7-7-o||
||--0---0---0---0---0---0-0--||
1st Verse:
F#m F#m7 Bm/D Bm/D 2x
||--------------------------|---------|---------|----------||
||o-------------------------|---------|---------|---------o||
||--------4-----4-----4-----|-7-------|-9-------|-9--------||
||--4h5---5-----5-----5-----|-5-------|-7-------|-7--------||
||o-7---7-7-7---7---7-7-7-7-|-7-------|-x-------|-x-------o||
||--0---0---0-------0---0-0-|-0-------|-8-------|-8--------||
G#ø/B F#m/C# C#5 F#m F#m6 F#m(#5) G#ø/B F#m/C# C#5
|---------|-------------|-----------|---------|---------|-------------|
|---------|-------------|-----------|---------|---------|-------------|
|-5-------|-4-----4-----|-4----6----|-5-------|-5-------|-4-----4-----|
|-4-------|-5-----4-----|-5----5----|-5-------|-4-------|-5-----4-----|
|-0-------|-x-----x-----|-7----7----|-7-------|-0-------|-x-----x-----|
|---------|-7-----7-----|-0----0----|-0-------|---------|-7-----7-----|
F#m 2x
||---------------------------||
||o-------------------------o||
||--4-----4-----------4------||
||--5-----5-----4h5---5------||
||o-7---7-7-7-7-7---7-7-7-7-o||
||--0---0---0-0-----0---0-0--||
Interlude: (band enters)
F#m
|-0^----------------------|-------------------------|
|-0^----------------------|-------------------------|
|-4^----4-----------4-----|-------4-----------4-----|
|-5^----5-----4h5---5-----|-4h5---5-----4h5---5-----|
|-7^--7-7-7-7-7---7-7-7-7-|-7---7-7-7-7-7---7-7-7-7-|
|-0^--0---0-0-----0---0-0-|-0---0---0-0-----0---0-0-|2nd Verse:
similar to 1st Verse, except for...
...this fill in the second ...and the last line: bar of Bm/D, both times... Bm/D F#m F#m E9 |-------------------------| |-0-------|-0----0----| |-------------------------| |-0-------|-0----3----| |-7h9---9-----9---9-------| |-0-------|-0----5----| |-7-----7-----7---7-------| |-2-------|-2----4----| |-x-----x-----x---x-------| |-2-------|-2----5----| |-8---8-8-8---8---8---8---| |-0-------|-0---------| Bridge: A7sus4 A7 A7sus4 A7 Dmaj7 Dmaj7 2x ||--3-----3-----|-3-----3-----|-0-------|-0--------|| ||o-3-----3-----|-3-----3-----|-0-------|-0-------o|| ||--5-----4-----|-5-----4-----|-0-------|-0--------|| ||--3-----3-----|-3-----3-----|-2-------|-2--------|| ||o-5-----5-----|-5-----5-----|-3-------|-3-------o|| ||--3-----3-----|-3-----3-----|-3-------|-3--------|| Bm7 C#7 F#m E B/D# |-0-------|-2-------|-0----2----|-0-------| |-1-------|-0-------|-0----3----|-2-------| |-0-------|-2-------|-0----2----|-2-------| |-2-------|-1-------|-2----0----|-2-------| |-0-------|-2-------|-2---------|-4-------| |---------|---------|-0---------|---------| Dsus2#11 D(add2) D(add2) C#7 C#7(#5) |-2------0-----|-0-------|-2-----2---2-2-----2---2-|-3^------| |-3------3-----|-3-------|-0-----0---0-0-----0---0-|-0^------| |-0------0-----|-0-------|-2-----2---2-2-----2---2-|-2^------| |-x------x-----|-x-------|-1-----1---1-1-----1---1-|-1^------| |-3------3-----|-3-------|-2-----2---2-2-----2---2-|-2^------| |--------------|---------|-------------------------|---------|
3rd Verse:
similar to 1st Verse.
Guitar Solo/4th Verse:
similar to 2nd Verse, but add this wonderful fill in the second bar of Bm/D:
*Bm/D |-------------------------| |-8-7---7-----------------| |-7---9-7-----9---9-9-----| |-7---7-7-----7---7-7-----| |-x-----------x---x-x-----| |-8-------8-8-8---8-8-8---|
********************************************************************************
Electric guitar part (no capo)
F#m F#m7 ---||-------------------------|-------------------------| ---||---.---------------------|-------------------------| . = staccato ---||-4b6--4b6-2~~------------|-------------4b6---------| -4-||-------------------------|-----------4-------------| ---||-------------------------|-------------------------| ---||-------------------------|-------------------------| Bm/D *Bm/D |-------------------------|-------------------------| |----.--------------------|----------------------.--| |(6)b7-4b6~--r4p2-4~~-----|------------------2-4b6--| |-------------------------|-------------------------| |-------------------------|-------------------------| |-------------------------|-------------------------| F#m F#m7 |-2-----------------------|-------------------------| |---5---------------------|---------------10p9------| |-----4b6~----------(6)r4-|----------9h11------9/11-| |-------------------------|------/11----------------| |-------------------------|-------------------------| |-------------------------|-------------------------| Bm/D Bm/D |-------------------------|-----------------------------| |-10p9--------------------|-----------------------------| |------9/11---------------|(11)\-------16pb18---r16p14--| |-------------------------|---------------------------16| |-------------------------|-----------------------------| |-------------------------|-----------------------------| G#ø/B F#m/C# C#5 |-------------------------|------------------------------| |-------------------------|-14h15------------------------| |-14h16~~-----------14-16-|-------16b18-14h16~~----------| |-------------------------|---------------------------16-| |-------------------------|------------------------------| |-------------------------|------------------------------| F#m F#m6 F#m(#5) |-------------------------------|---------------------------| |-17b19----r17p14---------------|----------------------5----| |----------------16b18----r16p14|-14h16~~---\------4h6---6\4| |-------------------------------|---------------------------| |-------------------------------|---------------------------| |-------------------------------|---------------------------| G#ø/B F#m/C# C#5 |-------------------------|-------------------------| |-----------------------5-|-------------------------| |-2h4~~----------2-4-4/6--|-6\4p2\1---------1h2p1---| |-------------------------|-----------------------4-| |-------------------------|-------------------------| |-------------------------|-------------------------| F#m F#m E9 A7sus4 |-------------------------|-------------------------||--------| |-------------------------|-------------------------||--------| |-------------------------|-------------------------||--------| |-------------------------|-------------------------||--------| |-------9---\-------11---\|-------12----11~~--------||-12~~---| |-2---/-------2---/-------|-2---/-------------------||--------|
********************************************************************************
Bridge:
similar to previous
Outro: G#ø(add4)/B C#5(addb9) |-------------------------|-------------------------| |-------------0-----------|-------------0-----------| |-------5---------5-------|-------5---------5-------| |-----4-----4---------4---|-----4-----4---------4---| |-0-----------------------|-------------------------| |-------------------------|-7-----------------------| F#m F#m6 F#m(#5) |-----------0-----------0-|-------------------------| |-------------------------|-------------------------| |---------4---6-------6---|-5-----------------------| |-------5-----------5-----|-------------------------| |-----7-----------7-------|-------------------------| |-0-----------------------|-------------------------| "So I G#ø(add4)/B C#(addb9) F#m |-------------------------|-------------------------|-0^---| |-------------0-----------|-------------0-------4---|-0^---| |-------5-----------------|-------5-----------------|-0^---| |-----4-----4-------------|-----4-----4-------------|-2^---| |-0-----------------------|-------------------------|-2^---| |-------------------------|-7-----------------------|-0^---| call out your name."
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28th /January /12
Just mail me at [email protected] with questions, comments and corrections!
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Maitinin
July, 2015 "