Stevie Ray Vaughan & Double Trouble – The Sky Is Crying (Bass Tab)

Half-Step Down (Eb-Ab-Db-Gb)
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THE SKY IS CRYING (Bassline) As recorded by Stevie Ray Vaughan & Double Trouble (From the 1991 Album THE SKY IS CRYING) Words & Music by Elmore James, Clarence Lewis & Morris Lewy Transcribed by Slowhand Gtr I (Eb Ab Db Gb) - 'Tommy Shannon - Bass / 1/2 step down'
 1st & 2nd Verses
    Q.=62
   12/8
    Gtr I
    Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E
||----------------------|---------------------|----------------------|
||o------2--2-5--5-2--5-|---------------------|------2--2-5--5-2--5--|
||o-3--3----------------|------0--0-3--3-0--3-|-3--3-----------------|
||----------------------|-1--1----------------|----------------------|

  Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E
|---------------------|---------------------|----------------------|
|------2--2-5--5-2--5-|---------------------|----------------------|
|-3--3----------------|------0--0-3--3-0--3-|------0--0-3--3-0--3--|
|---------------------|-1--1----------------|-1--1-----------------|

  Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E
|---------------------|---------------------|----------------------|
|------2--2-5--5-2--5-|------2--2-5--5-2--5-|----------------------|
|-3--3----------------|-3--3----------------|------2--2-5--5-2--5--|
|---------------------|---------------------|-3--3-----------------|

  Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E
|---------------------|---------------------|-----------------------||
|---------------------|----2-5--2-----------|----2-5--2------------o||
|------0--0-3--3-0--3-|-3------------0-3--0-|-3------------2-5--2--o||
|-1--1----------------|-----------1---------|-----------3-----------||

   Guitar Solo
    Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E
||----------------------|---------------------|---------------------|
||o------2--2-5--5-2--5-|---------------------|------2--2-5--5-2--5-|
||o-3--3----------------|------0--0-3--3-0--3-|-3--3----------------|
||----------------------|-1--1----------------|---------------------|

  Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E
|---------------------|---------------------|----------------------|
|------2--2-5--5-2--5-|---------------------|----------------------|
|-3--3----------------|------0--0-3--3-0--3-|------0--0-3--3-0--3--|
|---------------------|-1--1----------------|-1--1-----------------|

  Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E
|---------------------|---------------------|----------------------|
|------2--2-5--5-2--5-|------2--2-5--5-2--5-|----------------------|
|-3--3----------------|-3--3----------------|------2--2-5--5-2--5--|
|---------------------|---------------------|-3--3-----------------|

  Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E
|---------------------|---------------------|-----------------------||
|---------------------|----2-5--2-----------|----2-5--2------------o||
|------0--0-3--3-0--3-|-3------------0-3--0-|-3------------2-5--2--o||
|-1--1----------------|-----------1---------|-----------3-----------||

 3rd Verse
  Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E
|---------------------|---------------------|----------------------|
|------2--2-5--5-2--5-|---------------------|------2--2-5--5-2--5--|
|-3--3----------------|------0--0-3--3-0--3-|-3--3-----------------|
|---------------------|-1--1----------------|----------------------|

  Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E
|---------------------|---------------------|----------------------|
|------2--2-5--5-2--5-|---------------------|----------------------|
|-3--3----------------|------0--0-3--3-0--3-|------0--0-3--3-0--3--|
|---------------------|-1--1----------------|-1--1-----------------|

  Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E   Q  E Q  E Q  E Q  E
|---------------------|---------------------|----------------------|
|------2--2-5--5-2--5-|------2--2-5--5-2--5-|----------------------|
|-3--3----------------|-3--3----------------|------2--2-5--5-2--5--|
|---------------------|---------------------|-3--3-----------------|

                        Outro
  Q  E Q  E Q  E Q  E    Q  E Q  E Q  E Q  E
|---------------------||---------------------|
|---------------------||----2-5--2-----------|
|------0--0-3--3-0--3-||-3------------0-3--0-|
|-1--1----------------||-----------1---------|

            ~~~~~~~~~~~~~~~~~~~~~~~~~
  Q  E Q  E H.        +W         +H
|-------------------|-------------------*|
|----2-5--2---------|-------------------*|
|-3---------3-------|-(3)--------(3)----*|
|-------------------|-------------------*|
Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths