Slayer – Fictional Reality (Guitar Tab)
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-/
/ The following is the author's own interpretation of the song, to be used /
/ for private use and studying /
/-------------------------------------------------------------------------/
From the Album DIVINE INTERVENTION
Copyright 1995 AMERICAN RECORDS
Version 1.0 - October 1998
Transcription By: Mike Kimball
For Questions, Comments, Newest Version, or Corrections contact
at:
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emailing
. - palm mute / - slide up to
\ - slide down to ~ - vibrato
h - hammer on b - bend
p - pull off Suffixes for bend
ph - pinch harmonic f - full bend h - half bend
* - see comment r - release t - tap bend
X - percussion mute ~ - vibrato bend
@ - slight palm mute () - ghost note, sustained note
Tuning: Eb(Eb,Ab,Db,Gb,Bb,Eb)
Fig. 1 |----------------------------------------------------- |----------------------------------------------------- |----------------------------------------------------- |----------------------------------------------------- |--------------------2---1-------------------1---0----- |--4-0-2-5-2-0-3-0-2---2---4-0-2-5-2-0-3-0-1---1------ |___| |___| |___| |___| |___| |___| |___| |___|
End Fig. 1
Play four times.
Fig. 2 |---------------------------------------------------- |---------------------------------------------------- |---------------------------------------------------- |--------5p4---------------------5p4---------4------- |--------5p4---------------------5p4---------4------- |--0-0-0-----0-6-0-0-0-0-0-0-0-0-----0-6-0-0---6-4--- |___| |___| |___| |___| |___| |___| |___| |___| End Fig. 2
Play eight times, but on eighth time, play Fig. 3 in place
of last three notes in Fig. 2
Fig. 3 |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |--------0-----------0-----------0-----------0-----1----- |--2-1-0---4-3-2-1-0---4-3-2-1-0---4-3-2-1-0---4-3---3-2- |___| |___| |___| |___| |___| |___| |___| |___| |___| End Fig. 3 Fig. 4 |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |--------------------------------------3-0-2-0----- |--0-0-2-0-0-0-3-0-2-0-0-0-5-0-3-0-0-0---------3-2- |___| |___| |___| |___| |___| |___| |___| |___| |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |--------------------------------------3-2-0------- |--0-0-2-0-0-0-3-0-2-0-0-0-5-0-3-0-0-0-------4-3-2- |___| |___| |___| |___| |___| |___| |___| |___| |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |--------------------------------------3-0-2-0----- |--0-0-2-0-0-0-3-0-2-0-0-0-5-0-3-0-0-0---------3-2- |___| |___| |___| |___| |___| |___| |___| |___| |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |--------------------------------------1-0--------- |--0-0-2-0-0-0-3-0-2-0-0-0-5-0-3-0-0-0-----4-3-2-1- |___| |___| |___| |___| |___| |___| |___| |___| End Fig. 4 Return to Fig. 2; but end with Fig. 5. Fig. 5 |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |--------0-----------0-----------0-----------1-0--------- |--2-1-0---4-3-2-1-0---4-3-2-1-0---4-3-2-1-0-----4-3-2-1- |___| |___| |___| |___| |___| |___| |___| |___| |___| End Fig. 5
Play Fig. 4 again.
Fig. 6 |---------------------------------------------- |---------------------------------------------- |---------------------------------------------- |---------------------------------------------- |--3-----2-----1-----------3-----2-----1------- |----2-1---2-1---2-1-3-2-1---2-1---2-1---2-1-3- |___| |___| |___| |___| |___| |___| |___| | End Fig. 6
Fig. 7
Fig. 7 is mostly just hammer-ons at the fourth fret of the open E
string; then on the E string, first fret.
The rest is made up mostly of parts already shown. Use your ears.
Check out 's Death/Black Tab Webpage at