Misc Musicals – Come From Away - Screech In (Guitar)

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From the Musical "Come From Away" by Irene Sankoff and David Hein. [CLAUDE]
              G
Now there's a solemn, old tradition

      C
For admission - or audition - to

    Em
Transition from a Come From Away
[COMPANY]
D
To be a Newfoundlander
[CLAUDE]
         G
The only other way at any rate

C                        Em
Is pass away and pray to fate and
Wait to reincarnate [COMPANY]
D
As a Newfoundlander

G               Em
Hey, hey - come on inside

C                 D
Nothing ventured, nothing tried
[ACTOR 5]
G
Only a couple people cried
[COMPANY]
C           D
You'll be a Newfoundlander

G              Em
Hey, hey - sit down right here

C                  D
You'll feel better in a year
[ACTOR 7]
G
Try to ignore your doubts and fears
[COMPANY]
C               D
And you'll be a Newfoundlander
[CLAUDE, spoken]
G
Now we needs a couple volunteers - who wants to become a Newfoundlander?
[BOB, spoken]
            Em
Right here!
[CLAUDE, spoken]
          C
Good man! Who else?
[KEVIN T, spoken]
       D       G               Em
I have no idea why I put up my hand. And Kevin's like
[KEVIN J, spoken]
C          D                G          Em
Oh my God, are you serious? Oh my God, you are serious!
[KEVIN T, spoken]
C         D              G                          Em
Yes - I'm serious. Don't do it if you don't want to
[KEVIN J, spoken] I won't [CLAUDE, spoken]
C
Where you from, buddy?
[KEVIN T, spoken]
D
Los Angeles
[CLAUDE, spoken]
C
LA! Who else?
[DIANE spoken]
                  Em
Us! We want to be Newfoundlanders!
[CLAUDE, spoken] Alright. Where are you folks from? [DIANE, spoken] Texas and - [CLAUDE, spoken]
C
Texas! What part of Texas are you from, buddy?
[NICK, spoken] No, I'm from - [DIANE, spoken]
             Em                       D
No, I'm from Texas. He's from England
[CLAUDE, spoken]
                        G
Wait. Now how does that work?
[NICK, spoken]
              Em
How does what work?
[CLAUDE, spoken]
                    C                  D                        G
Well, how does your marriage work with you being in England and her in Texas?
[DIANE & NICK, spoken]
   Em
No - we're not married
[CLAUDE, spoken]
C               G                       Em        C                D
Oh, I'm sorry - I just assumed you were married... Well, would you like to be?
[NICK, spoken]
G
Ah -
[DIANE, spoken]
      Em         C  D
Well, why not?!
[NICK, spoken]
         G
Diane had had two beers by then, so it was probably the alcohol talking
[DIANE, spoken]
G
I've never had more than one beer at a time before, so it was probably the alcohol talking
[NICK, spoken] N.C. I went and got her two more beers [CLAUDE]
D       G
Now the first part is the easiest

      C
We'll soon get to the queasiest

     Em
I'll need you to repeat this mess
[COMPANY]
     D
When you become a Newfoundlander
[Claude]
          G
'Cause we speaks a different language, son

   C
We adds some esses and some rum

       Em
You'll have to try a good cod tongue
[COMPANY]
     D
When you become a Newfoundlander

G               Em
Hey, hey - just do your best

C              D           G
Nothing scary, nothing yet
[ACTOR 3] N.C. You'll have to change the way you're dressed [COMPANY]
    C           D
And you'll be a Newfoundlander

A               F#m
Hey, hey - just sing along

D                E              A
Nothing ventured just prolonged
[CLAUDE] N.C. There's thirty verses in this song [COMPANY]
     D           E
Then you'll be a Newfoundlander
[CLAUDE, spoken]
G
Ladies and gentlemen - this is screech!
Back in World War II, an officer was stationed here and was offered some of this stuff All the locals were tossing it back with nar' a quiver, so he does too
    D                           A
And lets out an ear piercing...

                                           D
Everybody comes to see what's happening and says:
[COMPANY except SCREECHEES, spoken]
                 E
"What was that ungodly screech?!"
[CLAUDE, spoken]
    C
And now it's your turn. Are you ready?
Good! All together now. One! [COMPANY except SCREECHEES, spoken]
C
One!
[CLAUDE, spoken]
C
Two!
[COMPANY except SCREECHEES, spoken]
C
Two!
[CLAUDE, spoken]
D
Three!
[COMPANY except SCREECHEES, spoken]
D
Three!
[CLAUDE, spoken] Down the hatch! [KEVIN T spoken]
G          Em            C
Screech is basically bad Jamaican rum
[NICK, spoken]
D
Screech is horrific
[DIANE, spoken]
G            Em       C
Screech is delishush!
[BOB, spoken]
                          C
And then they brought the Cod
[KEVIN T, spoken]
    C
The Cod
[NICK, spoken]
    C
The Cod
[DIANE, spoken]
    C
The Cod
[CLAUDE]
         F#m
Now with every transformation

        D          E
Comes a tiny bit of risk

       F#m
You've got to walk the plank

                D
And there'll be blood

               E
Or there'll be bliss

             F#m
And it's the same to be a Newfoundlander

D              E
Every person's wish

            F#m
So don't be dumb
Just take the plunge
      D          E
Go on - kiss the fish!
[NEWFOUNDLANDERS] (continued underneath) I'm an islander - I am an islander... [CLAUDE, spoken]
F#m                                                     E
Ladies and gentlemen - this is a genuine freshly caught Newfoundland cod -

                                                     D
and if you want to become an honorary Newfoundlander
you'll have to give her a smooch! One! E [KEVIN J, spoken] If you kiss that I am never kissing you again! [KEVIN T, spoken]
F#m
I'll risk it!
[CLAUDE, spoken] Two! [NICK, spoken]
    E
I'm not kissing a fish!
[DIANE, spoken] Come on, I will if you will! [NICK, spoken]
   D
Oh my god. Fine
[CLAUDE, spoken] Three! E [DIANE, spoken] I can't do it! [NICK, spoken] What? I just did! [CLAUDE, spoken]
           Gm
Now you've got to kiss the cod - it's a vital part of the ceremony
[DIANE, spoken]
  F
I can't do it!
[CLAUDE, spoken] Alright - look. I'll make you a deal.
           Eb
Either you kiss this fish - or else you kiss this Englishman that you're not married to
D F [COMPANY]
Bb              Gm
Hey, hey - come on tonight

Eb              F
Take a risk and take a ride

Bb                 Gm
Jump right in with both feet tied

    Eb          F
And you'll be a Newfoundlander

C          N.C.
Hey, hey - come on once more

F                 G
Nothing ventured, nothing sore

C                Am
After it's over, out the door

    F           G
And you'll be a Newfoundlander
[CLAUDE]
C
After it's over you'll remember
[COMPANY]
F             G               C
That you're a Newfoundlander