Conway Twitty – Its Only Make Believe (Guitar Tab)
Auto-scroll
Speed:
1.0x
Chords
As recorded by Conway Twitty
(From the 1958 Album CONWAY TWITTY SINGS)
Words and Music by Conway Twitty & Jack Nance
Transcribed by Slowhand
Gtr I (E A D G B E) - 'Electric Guitar'
Intro
freely Q=74
B G#m
5/4 4/4
Gtr I
S S S S +W S S S S +H.
|--------------------|-------4-(4)----| |-------4-(4)--------|-----4---(4)----| |-----4---(4)--------|---4-----(4)----| |---4-----(4)--------|-6-------(6)----| |-2-------(2)--------|----------------| |--------------------|----------------| E F F# 6/4 5/4 S S S S +W Q S S S S +W |--------------------^1--|-----------------| |-------0-(0)--------^1--|--------2-(2)----| |-----1---(1)--------^2--|------3---(3)----| |---2-----(2)--------^3--|----4-----(4)----| |-2-------(2)--------^3--|--4-------(4)----| |--------------------^1--|-----------------| in time Q=124 B C#m F# 12/8 Q E E E E Q E E E E Q E E E E Q E E E E |-----------------------|-4--4-4-4-4-2--2-2-2-2-|| |-4--4-4-4-4-4--4-4-4-4-|-5--5-5-5-5-2--2-2-2-2-|| |-4--4-4-4-4-4--4-4-4-4-|-6--6-6-6-6-3--3-3-3-3-|| |-4--4-4-4-4-4--4-4-4-4-|-6--6-6-6-6-4--4-4-4-4-|| |-2--2-2-2-2-2--2-2-2-2-|-4--4-4-4-4-4--4-4-4-4-|| |-----------------------|------------2--2-2-2-2-|| 1st - 3rd Verses B G#m Q E E E E Q E E E E Q E E E E Q E E E E ||------------------------|-4--4-4-4-4-4--4-4-4-4-| ||o-4--4-4-4-4-4--4-4-4-4-|-4--4-4-4-4-4--4-4-4-4-| ||--4--4-4-4-4-4--4-4-4-4-|-4--4-4-4-4-4--4-4-4-4-| ||--4--4-4-4-4-4--4-4-4-4-|-6--6-6-6-6-6--6-6-6-6-| ||o-2--2-2-2-2-2--2-2-2-2-|-6--6-6-6-6-6--6-6-6-6-| ||------------------------|-4--4-4-4-4-4--4-4-4-4-| E F# Q E E E E Q E E E E Q E E E E Q E E E E |-0--0-0-0-0-0--0-0-0-0-|-2--2-2-2-2-2--2-2-2-2-| |-0--0-0-0-0-0--0-0-0-0-|-2--2-2-2-2-2--2-2-2-2-| |-1--1-1-1-1-1--1-1-1-1-|-3--3-3-3-3-3--3-3-3-3-| |-2--2-2-2-2-2--2-2-2-2-|-4--4-4-4-4-4--4-4-4-4-| |-2--2-2-2-2-2--2-2-2-2-|-4--4-4-4-4-4--4-4-4-4-| |-0--0-0-0-0-0--0-0-0-0-|-2--2-2-2-2-2--2-2-2-2-| E F# Q E E E E Q E E E E Q E E E E Q E E E E |-0--0-0-0-0-0--0-0-0-0-|-2--2-2-2-2-2--2-2-2-2-| |-0--0-0-0-0-0--0-0-0-0-|-2--2-2-2-2-2--2-2-2-2-| |-1--1-1-1-1-1--1-1-1-1-|-3--3-3-3-3-3--3-3-3-3-| |-2--2-2-2-2-2--2-2-2-2-|-4--4-4-4-4-4--4-4-4-4-| |-2--2-2-2-2-2--2-2-2-2-|-4--4-4-4-4-4--4-4-4-4-| |-0--0-0-0-0-0--0-0-0-0-|-2--2-2-2-2-2--2-2-2-2-| B E Q E E E E Q E E E E Q E E E E Q E E E E |-----------------------|-0--0-0-0-0-0--0-0-0-0-| |-4--4-4-4-4-4--4-4-4-4-|-0--0-0-0-0-0--0-0-0-0-| |-4--4-4-4-4-4--4-4-4-4-|-1--1-1-1-1-1--1-1-1-1-| |-4--4-4-4-4-4--4-4-4-4-|-2--2-2-2-2-2--2-2-2-2-| |-2--2-2-2-2-2--2-2-2-2-|-2--2-2-2-2-2--2-2-2-2-| |-----------------------|-0--0-0-0-0-0--0-0-0-0-| F# E E E E E E E E E E E E E E E E E E E E E E E E E |-2-2-2-2-2-2-2-2-2-2-2-2-|-0-0-0-0-0-0-0-0-0-0-0-0-| |-2-2-2-2-2-2-2-2-2-2-2-2-|-0-0-0-0-0-0-0-0-0-0-0-0-| |-3-3-3-3-3-3-3-3-3-3-3-3-|-1-1-1-1-1-1-1-1-1-1-1-1-| |-4-4-4-4-4-4-4-4-4-4-4-4-|-2-2-2-2-2-2-2-2-2-2-2-2-| |-4-4-4-4-4-4-4-4-4-4-4-4-|-2-2-2-2-2-2-2-2-2-2-2-2-| |-2-2-2-2-2-2-2-2-2-2-2-2-|-0-0-0-0-0-0-0-0-0-0-0-0-| 1.,2. B E B F# Q E E E E Q E E E E Q E E E E Q E E E E 3x |------------0--0-0-0-0-|------------2--2-2-2-2--|| |-4--4-4-4-4-0--0-0-0-0-|-4--4-4-4-4-2--2-2-2-2-o|| |-4--4-4-4-4-1--1-1-1-1-|-4--4-4-4-4-3--3-3-3-3--|| |-4--4-4-4-4-2--2-2-2-2-|-4--4-4-4-4-4--4-4-4-4--|| |-2--2-2-2-2-2--2-2-2-2-|-2--2-2-2-2-4--4-4-4-4-o|| |------------0--0-0-0-0-|------------2--2-2-2-2--|| 3. H.=H B E B E Q E E E E E E E E E E Q E E E E H. |------------0-0-0-0-0-0-|------------0-----| |-4--4-4-4-4-0-0-0-0-0-0-|-4--4-4-4-4-0-----| |-4--4-4-4-4-1-1-1-1-1-1-|-4--4-4-4-4-1-----| |-4--4-4-4-4-2-2-2-2-2-2-|-4--4-4-4-4-2-----| |-2--2-2-2-2-2-2-2-2-2-2-|-2--2-2-2-2-2-----| |------------0-0-0-0-0-0-|------------0-----| B W. +W. |----------------|--------*| |-^4-------------|-(4)----*| |-^4-------------|-(4)----*| |-^4-------------|-(4)----*| |-^2-------------|-(2)----*| |----------------|--------*|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths