Coheed and Cambria – Three Evils Embodied In Love And Shadow (Guitar)

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by Coheed and Cambria. All I've ever wanted with guitar is to strum some chords and jam out my favorite songs. There weren't any chord diagrams for this song, so imaedit. Disclaimer: The Chords throughout the Verses aren't song acurate, They serve for simplicty of playing and will play through the song nicely. these chords create a simpler rythm when attempting to sing and play at first. This helps find where all those syllables fit in the song. If you're like me, you'll end up replacing this simpler pattern for the trickier intro pattern you here in the song. Also, The intro I have listed isn't song accurate either, but a simplier substitute that will work for intro and throughout the verses. [Intro] A Asus4 F# Dsus4 Asus4 Essentially looks like: EADGBE x0223x Dsus4? Essentially looks like: EADGBE xx003x [Verse 1]
A                        F#               E          A    F# E A
Across the floor, in the hand of where we drove the drill

A           F#            E
A cautious ear to the mouth of your confession

B5
Think of all the things we put him through
In the face of his god, would he tell the truth?
A                        F#                  E            A F# E
Still, recorded were the words that dribbled out his kiss

  A                        F#                 E
When eyes go blind in this man of what could once become

B5
Sever the limbs off his torso, in sleep
And burn what remains, so the world may now see
A              F#          E    A      F# E A
No longer will we wait for your answers

A           F#            E
Back to the hell where you've come from

B5
Think of all the times you've once had

                                  C#5 D5
Write them in a letter that says "goodbye" uh-uh ah aye, anye- uh ah aye
[Pre-Chorus]
Asus2            B5     F#
You'll listen to rea-son

             G                    D5 C#5
While you're face down in the dirt

Asus2                 B5   F#
You'll stomach the hurt and break for him, here

G                        D5 C#5
Just how much he's worth
[Verse 2]
A                         F#             E            A F# E
Slowly discarded were the remains of his lonely youth

A                          F#       E
Among the alley, where the dwellers scare to notice

B5
Picture a young boy in pieces and streets with leveled
Malfunctions, no name to be called redeemer
A     F#       E       A   F# E A
We'll fix him, restore him

A         F#        E
With the love is no other

B5
Think of all the things you did before

                                 C#5 D5
Write them in a letter that says "reborn"
[Pre-Chorus]
Asus2            B5     F#
You'll listen to rea-son

             G                    D5 C#5
While you're face down in the dirt

Asus2                 B5   F#
You'll stomach the hurt and break for him, here

G                        D5 C#5
Just how much he's worth
[Bridge]
 F#        Asus2          B5          C#5     D5
(Following you across the interstate, walking away!)

D5                         F#
Walking away, I'll fire on!

 F#        Asus2          B5          C#5     D5
(Following you across the interstate, walking away!)

D5                         F#
Walking away, I'll fire on!

 F#        Asus2          B5          C#5     D5
(Following you across the interstate, walking away!)

D5                         F#
Walking away, I'll fire on!
[Pre-Chorus]
B5
On the wrong way out

                   D5         C#5 Asus2
On the causeway to neverwhere

B5
On the wrong way out

                   D5         C#5 Asus2
On the causeway to neverwhere

B5
On the wrong way out

                   D5         C#5 Asus2
On the causeway to neverwhere
Throughout these last choruses I have the first Emaj listed for simplicity. When I play this song I use a more subtle Ab Chord (Which is really Emaj Omitting the 2nd fret A string note)x02100. It adds a subtle warmth and creates the fluid descension of notes heard in the song, rather than the jumping to-and-fro of notes we hear previously in the song. Of course the Emaj works great for keeping the song simple to play through. Also, the D5 for these choruses I play with open chords. (Which is a Dmaj omitting the 2nd fret high E string note). EADGBE x00230 And lastly, the C#5 is optional. It gives it that signature coheed sound we hear throughout their music. Totally optional though, the song plays just fine without it. All these suggestions completley optional of course! These are just the basic notes, feel free to play whichever way sounds best to you! [Chorus]
Asus2      E
Dear, my friends

                   F#
In the time we've spent

                       E
Forever after, beyond this

                             D5
When will our nightmare ever end, end, end?

Asus2     E
Dear, my friends
In the time we've spent
                       E
Forever after, beyond this

                             D5
When will our nightmare ever end, end, end?

Asus2
Pull the trigger and the nightmare stops

E
Pull the trigger and the nightmare stops

F#
Pull the trigger and the nightmare stops

E                                  D5     C#5
Forever you will, forever you will learn

Asus2
Pull the trigger and the nightmare stops

E
Pull the trigger and the nightmare stops

F#
Pull the trigger and the nightmare stops

E                                  D5     C#5
Forever you will, forever you will learn

Asus2
Pull the trigger and the nightmare stops

E
Pull the trigger and the nightmare stops

F#
Pull the trigger and the nightmare stops

E                                  D5    C#5
Forever you will, forever you will learn

Asus2
Pull the trigger and the nightmare stops

E
Pull the trigger and the nightmare stops

F#
Pull the trigger and the nightmare stops

E                                  D5     C#5 Asus2
Forever you will, forever you will learn