Buddy Holly – Think It Over (Guitar Tab)
Capo 5
Versions
(5)
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Speed:
1.0x
Chords
As recorded by Buddy Holly & The Crickets
(From the 1957 Album THE "CHIRPING" CRICKETS )
Words and Music by Buddy Holly, Jerry Allison & Norman Petty
Transcribed by Slowhand
Gtr I (E A D G B E) - 'Buddy Holly - Electric Guitar w/ capo 5th fret'
Gtr II (E A D G B E) - 'Vi Petty - Piano'
Intro
Q=132(8=s8)
E
4/4
Gtr I (El. Gtr. w/ capo 5th fret)
H Q E E E E E E E E E E E E E E E E E E
|-----------0-|---0---0---0---0-|---0---0---0---0-|
|-----------0-|---0-2-0---0-2-0-|---0-2-0---0-2-0-|
|-----------0h|=1---2---1---2-0h|=1---2---1---2-0h|
|-----------0h|=2---2---2---2-0h|=2---2---2---2-0h|
|-----------0h|=2-------2-----0h|=2-------2-----0h|
|-----------0-|---------0---0-0-|---------0---0-0-|
B7
E E E E E E E E E E E E E E E E
|---0---0---0---0-|---2-2-2-2-2-2-0--||
|---0-2-0---0-2-0-|---0-0-0-0-0-0-0--||
|-1---2---1---2---|-2-2-2-2-2-2-2-0h=||
|-2---2---2---2---|---------------0h=||
|-2-------2-------|-2-2-2-2-2-2-2-0h=||
|---------0---0---|---------------0--||
1st - 3rd Verses
$
E
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
||----0---0---0---0-|---0---0---0---0-|---0---0---0---0-|---0---0---0-----|
||o---0-2-0---0-2-0-|---0-2-0---0-2-0-|---0-2-0---0-2-0-|---0-2-0---0-----|
||--1---2---1---2---|-1---2---1---2-0h|=1---2---1---2---|-1---2---1-------|
||--2---2---2---2---|-2---2---2---2-0h|=2---2---2---2---|-2---2---2---2-2-|
||o-2-------2-------|-2-------2-----0h|=2-------2-------|-2-------2---2-0-|
||----------0-------|-0-------0-----0-|---------0-------|-0-------0-------|
A E
+Q E E +E E E E Q E E +E E E E E E E E E E E E E E E E +E E E E
|--------------0-----|------0-(0)-0-----|---0---0---0---0-|---0---0-(0)-0---0--|
|------2-2-(2)-2-2-2-|----2-2-(2)-2-2-2-|---0-2-0---0-2-0-|---0-2-0-(0)-0-2----|
|------2-2-(2)---2-2-|----2-2-(2)---2-2-|-----2---1---2---|-1---2---------2----|
|-(2)--2-2-(2)---2-2-|-2--2---------2-2-|-----2---2---2---|-2------------------|
|-(0)--0---------0---|-0--0---------0---|-2-------2-------|-2------------------|
|--------------------|------------------|-0-------0-------|-0------------------|
1.
To Coda
B7 A E
E E E E +E E E E E E E E +E E E E E E Q H
|---2---2-(2)-2---0-|---0---0-(0)-0---0--|-------------|
|---0---0-(0)-0---2-|---2-2-2-(2)-2------|-------------|
|-----------------2-|---2-2---------2----|-------------|
|-------------------|-----2---------2----|-------------|
|-2-----------------|-0------------------|-2-----------|
|-------------------|--------------------|-0-----------|
2.
B7 E B7
E E E E E E E E E E Q H E E E E E E E E
|---2-2-2-2-2-2-0--||-------------|---2-2-2-2-2-2-0--||
|---0-0-0-0-0-0-0-o||-------------|---0-0-0-0-0-0-0--||
|---2-2-2-2-2-2-0--||-------------|---2-2-2-2-2-2-0h=||
|---------------0--||-------------|---------------0h=||
|---2-2-2-2-2-2-0-o||-2-----------|---2-2-2-2-2-2-0h=||
|---------------0--||-0-----------|---------------0--|||
| Gtr II (Piano arr. for Gtr.) | W W H E E E E |------------------||-------------|------------------|| |-----------------o||-------------|------------------|| |------------------||-------------|------------------|| |------------------||-------------|------------------|| |-----------------o||-------------|---------------0--|| |------------------||-------------|-----------0-2----|| Piano Solo E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-----0---0---0---0-|---0---0---0---0-|-----0---0---0---0-|---0---0---0------| |-----0-2-0---0-2-0-|---0-2-0---0-2-0-|-----0-2-0---0-2-0-|---0-2-0---0------| |--1----2---1---2---|-1---2---1---2-0h|==1----2---1---2---|-1---2---1--------| |--2----2---2---2---|-2---2---2---2-0h|==2----2---2---2---|-2---2---2---2-2--| |--2--------2-------|-2-------2-----0h|==2--------2-------|-2-------2---2-0--| |-----------0-------|-0-------0-----0-|-----------0-------|-0-------0--------|
|
| +E E E E E E E E E E E E E E E E +E E E E E E E E E E E E E E E E |-------------------|-----------------|-------------------|------------------| |-------------------|-----------------|-------------------|------------------| |-------------------|-----------------|-------------------|------------------| |-----------2-2-----|-----------------|-----------2-2-----|------------------| |-(0)---4-5-----4-2-|-0---0-2-4-----0-|-(0)---4-5-----4-2-|-0---0-2-4-0-2-0--| |-------------------|---0-------0-2---|-------------------|---0--------------| A +E E E E +E E E E E E E E Q E E |-----0---------0-----|---0-----------0-| |-----2-3-------2-3-1s|=2---3-2-------0-| |-------2-2-(2)-2-2-1s|=2---2-2-------0h| |-(2)---0-2-(2)---0---|-----0-2-------0h| |-(0)-----0-(0)-------|-------0-------0h| |---------------------|---------------0-|
|
| Q E E Q E E Q E E E E E E |---------------------|-----------------| |---------------------|-----------------| |---------------------|-----------------| |---------------------|-----------------| |--3----2-0--3----2-0-|-3---2-0---0-2-0-| |---------------------|-----------------| E E E E E +E E E E +E E E E +E E E E |-----0---0---(0)-0---0-|---(0)-0---0-(0)-0-0-0-| |-----0-2-0---(0)-0-2-0-|---(0)-0-2-0-(0)-0-0-0-| |---1---2-1---(1)-1-2-1-|---(1)-1-2-1-(1)---1---| |---2---2-2---(2)---2-2-|---(2)---2-2-(2)---2---| |---2-------------------|-----------------------| |-----------------------|-----------------------|
|
| a Q E E a Q E E a Q E E E E E E |-----------------------|-----------------------| |-----------------------|-----------------------| |-----------------------|-----------------------| |-----------------------|-----------------------| |-3h4---2-0-3h=4----2-0-|-3h=4----2-0---------0-| |-----------------------|-----------------0-2---| B7 A E E E E E E E E E E E E E E E E |-----------------0---|---------------0-| |---0-0-0-0-0-0---0---|---2-2-2-2-2-2-0-| |---2-2-2-2-2-2-------|---2-2-2-2-2-2---| |---1-1-1-1-1-1-------|-2-2-2-2-2-2-2---| |-2-2-2-2-2-2-2-------|-0-0-0-0-0-0-0---| |---------------------|-----------------|
|
| |--3--|
| E E E E Q E E E E E E E E E E E |---------------------|-----------------| |---------------------|-----------------| |---------------------|-----------------| |---------------------|-----------------| |-2-------2---2-3---2-|-0---0-----0-0-0-| |---0-2-0-------------|---2---2---------| D.S. al Coda E A E B7 +E E E E E E E E E E E E E E E E |-(0)-0-0-0-------0-|---2-2-2-2-2-2-0--|| |-(0)-0-0-0-2-2-2-0-|---0-0-0-0-0-0-0--|| |-------1---2-2-2-1-|---2-2-2-2-2-2----|| |-------2---2-2-2-2-|------------------|| |-----------0-0-0---|---2-2-2-2-2-2----|| |-------------------|------------------||
|
| E E E E Q E E Q E E H |-------------------|------------------|| |-------------------|------------------|| |-------------------|------------------|| |-------------------|-----2------------|| |--4----4-------0---|------------------|| |-----0---0-------0-|-------0----------|| Outro & E B7 E E E Q H E E E E E E E E E E E E E E E E |-------------|---2-2-2-2-2-2-0-||---0---0---0---0-| |-------------|---0-0-0-0-0-0-0-||---0-2-0---0-2-0-| |-------------|---2-2-2-2-2-2-0h||=1---2---1---2---| |-------------|---------------0h||=2---2---2---2---| |-2-----------|---2-2-2-2-2-2-0h||=2-------2-------| |-0-----------|---------------0-||---------0---0---| E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |---0---0---0---0-|---0---0---0---0-|---0---0---0---0-|---0---0---0---0--*| |---0-2-0---0-2-0-|---0-2-0---0-2-0-|---0-2-0---0-2-0-|---0-2-0---0-2-0--*| |-1---2---1---2-0h|=1---2---1---2---|-1---2---1---2-0h|=1---2---1---2----*| |-2---2---2---2-0h|=2---2---2---2---|-2---2---2---2-0h|=2---2---2---2----*| |-2-------2-----0h|=2-------2-------|-2-------2-----0h|=2-------2--------*| |-0-------0-----0-|---------0-------|-0-------0-----0-|---------0--------*|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths