Bruce Springsteen – Pink Cadillac (Guitar Tab)

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Chords

As recorded by Bruce Springsteen (From the 1998 Album TRACKS) Words and Music by Bruce Springsteen Transcribed by Slowhand Gtr I (E A D G B E) - 'Bruce Springsteen - Electric Guitar' Gtr II (E A D G B E) - 'Clarence Clemons - Saxophone' Gtr III (E A D G B E) - 'Clarence Clemons - Saxophone' Intro Q=128 E 4/4 Gtr I PM------------------------------------------------------------------|
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|------------------||
|-----------------|-----------------|-----------------|------------------||
|-----------------|-----------------|-----------------|------------------||
|-----------------|-----------------|-----------------|------------------||
|-----4---2---5-4-|-----4---2---5-4-|-----4---2---5-4-|-----4---2---5-4--||
|-0-0---0---0-----|-0-0---0---0-----|-0-0---0---0-----|-0-0---0---0------||
1st - 3rd Verses $ E PM------------------------------------------------------------------|
    E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
||------------------|-----------------|-----------------|-----------------|
||o-----------------|-----------------|-----------------|-----------------|
||------------------|-----------------|-----------------|-----------------|
||--------2---------|-------2---------|-------2---------|-------2---------|
||o-2---4---2---4---|-2---4---2---4---|-2---4---2---4---|-2---4---2---4---|
||--0-0-0---0-0-0-0-|-0-0-0---0-0-0-0-|-0-0-0---0-0-0-0-|-0-0-0---0-0-0-0-|
PM------------------------------------------------------------------|
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-------2---------|-------2---------|-------2---------|-------2----------|
|-2---4---2---4---|-2---4---2---4---|-2---4---2---4---|-2---4---2---4-2--|
|-0-0-0---0-0-0-0-|-0-0-0---0-0-0-0-|-0-0-0---0-0-0-0-|-0-0-0---0-0-0-0--|
A PM------------------------------------------------------------------|
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|-----------5------|
|-----------------|-----------------|-----------------|-----------5------|
|-----------------|-----------------|-----------------|------------------|
|-2-2-4-2-2-2-4-2-|-2-2-4-2-2-2-4-2-|-2-2-4-2-2-2-4-2-|-2-2-4---2--------|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0---0-0--|
|-----------------|-----------------|-----------------|------------------|
E PM------------------------------------------------------------------|
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-------2---------|-------2---------|-------2---------|-------2----------|
|-2---4---2---4---|-2---4---2---4---|-2---4---2---4---|-2---4---2-2-2-2--|
|-0-0-0---0-0-0-0-|-0-0-0---0-0-0-0-|-0-0-0---0-0-0-0-|-0-0-0---0-0-0-0--|
B PM------------------------------------------------------------------|
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|------------------||
|-----------------|-----------------|-----------------|------------------||
|-----------------|-----------------|-----------------|-------4----------||
|-4-4-6-4-4-4-6---|-4-4-6-4-4-4-6---|-4-4-6-4-4-4-6---|-4-4-6---4-4-6----||
|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-|-2-2-2---2-2-2-2--||
|-----------------|-----------------|-----------------|------------------||
Chorus E PM------------------------------------------------------------------|
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-2---4---2---4---|-2---4---2---4---|-2---4---2---4---|-2---4---2---4----|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0--|
A E PM------------------------------------------------------------------|
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|---------------2-|---------------2-|-----------------|------------------|
|-2-2-4-2-2-2-4---|-2-2-4-2-2-2-4---|-----------------|------------------|
|-0-0-0-0-0-0-0---|-0-0-0-0-0-0-0---|-2---4-2-2-2-4---|-2---4-2-2-2-4----|
|-----------------|-----------------|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0--|
1. To Coda E PM----------------------------------------------------------------|
  E E E E E E E E   E E E E E E E E    Q  E E E E E E   E E E E E E E E
|-----------------|------------------|----------------|-----------------|
|-----------------|------------------|----------------|-----------------|
|-----------------|------------------|----------------|-----------------|
|-4-4-6-4-4-4-6-4-|-4-4-6---4-4-6-4--|--------------2-|---------------2-|
|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2--|----4-2-----4---|-2---4-2-2---4---|
|-----------------|------------------|-0--0-0-0-0-0---|-0-0-0-0-0-0-0---|
2. PM------------------------------------------------------------------|
  +E  E E E E E E E   E E E E E E E E     E E E E E E E E   E E E E E E E E
|-------------------|------------------||-----------------|------------------||
|-------------------|-----------------o||-----------------|------------------||
|-------------------|------------------||-----------------|------------------||
|-(2)---------------|-------2-------2--||---------------2-|------------------||
|-------4---4---5-4-|-2---4-------4---o||-2-2-4---2-2-4---|-2-2-4---2-2-4----||
|-----0-0-0-0-0-----|-0-0-0---0-0-0----||-0-0-0-0-0-0-0---|-0-0-0-0-0-0-0-0--||
|
|                                         Gtrs II, III (Sax. arr. for Gtr.)
|  W                  W                   W                 H       Q   E E
|-------------------|------------------||-----------------|------------------||
|-------------------|-----------------o||-----------------|------------------||
|-------------------|------------------||-----------------|---------------7--||
|-------------------|------------------||-----------------|------------------||
|-------------------|-----------------o||-----------------|---------------5--||
|-------------------|------------------||-----------------|------------------||

 Interlude
   PM-------------------------------------
   E  E E E E E E E    E   E E E E E E E
|-------------------|--------------------|
|-------------------|--------------------|
|-------------------|--------------------|
|-------------------|--------------------|
|--2----4---2---4---|--2-----4---2---4---|
|--0--0-0-0-0-0-0-0-|--0---0-0-0-0-0-0-0-|
|
| +H.           E E   +Q     e e e e E E
|-------------------|--------------------|
|-------------------|--------------------|
|-(7)-----------6-4-|-(4)\-------------7-|
|-------------------|--------2-2-2-2-2---|
|-(5)-----------4-2-|-(2)\-------------5-|
|-------------------|--------------------|
D.S. al Coda --------------------------------------|
   E  E E E E E E E    E   E E E E E E E
|-------------------|---------------------||
|-------------------|---------------------||
|-------------------|---------------------||
|-------------------|---------------------||
|--2----4---2---4---|--2-----4---2---4----||
|--0--0-0-0-0-0-0-0-|--0---0-0-0-0-0-0-0--||
|
| +H.           E E   +Q     Q   H
|-------------------|---------------------||
|-------------------|---------------------||
|-(7)-----------6-4-|-(4)\----------------||
|-------------------|---------------------||
|-(5)-----------4-2-|-(2)\----------------||
|-------------------|---------------------||
Outro & E E PM------------------------------------------------------------------------|
  E E E E E E E E    E E E E E E E E    E  E E E E E E E    E   E E E E E E E
|-----------------||-----------------|-------------------|---------------------|
|-----------------||-----------------|-------------------|---------------------|
|-----------------||-----------------|-------------------|---------------------|
|-----------------||-------2---------|---------2---------|----------2----------|
|-2---4---2-2-4-2-||-2---4---2---4---|--2----4---2---4---|--2-----4---2---4----|
|-0-0-0-0-0-0-0-0-||-0-0-0---0-0-0-0-|--0--0-0---0-0-0-0-|--0---0-0---0-0-0-0--|
|
| Gtrs II, III
| W                  H       Q   E E   +H.           E E   +Q     Q   Q   E E
|-----------------||-----------------|-------------------|---------------------|
|-----------------||-----------------|-------------------|---------------------|
|-----------------||---------------7-|-(7)-----------6-4-|-(4)\-------------7--|
|-----------------||-----------------|-------------------|---------------------|
|-----------------||---------------5-|-(5)-----------4-2-|-(2)\-------------5--|
|-----------------||-----------------|-------------------|---------------------|
PM------------------------------------------------------|
   E  E E E E E E E    E   E E E E E E E    E  E E E E E E E
|-------------------|--------------------|-------------------|
|-------------------|--------------------|-------------------|
|-------------------|--------------------|-------------------|
|---------2---------|----------2---------|---------2---------|
|--2----4---2---4---|--2-----4---2---4---|--2----4---2---4---|
|--0--0-0---0-0-0-0-|--0---0-0---0-0-0-0-|--0--0-0---0-0-0-0-|
|
|  H.           E E   +Q     Q   Q   E E   +H.           E E
|-------------------|--------------------|-------------------|
|-------------------|--------------------|-------------------|
|--7------------6-4-|-(4)\-------------7-|-(7)-----------6-4-|
|-------------------|--------------------|-------------------|
|-(5)-----------4-2-|-(2)\-------------5-|-(5)-----------4-2-|
|-------------------|--------------------|-------------------|
PM-------------------------------------------------------|
   E   E E E E E E E    E  E E E E E E E    E   E E E E E E E
|--------------------|-------------------|--------------------*|
|--------------------|-------------------|--------------------*|
|--------------------|-------------------|--------------------*|
|----------2---------|---------2---------|----------2---------*|
|--2-----4---2---4---|--2----4---2---4---|--2-----4---2---4---*|
|--0---0-0---0-0-0-0-|--0--0-0---0-0-0-0-|--0---0-0---0-0-0-0-*|
|
| +Q     Q   Q   E E   +H.           E E   +Q     Q   H
|--------------------|-------------------|--------------------*|
|--------------------|-------------------|--------------------*|
|-(4)\-------------7-|-(7)-----------6-4-|-(4)\---------------*|
|--------------------|-------------------|--------------------*|
|-(2)\-------------5-|-(5)-----------4-2-|-(2)\---------------*|
|--------------------|-------------------|--------------------*|
Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths